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''Bee Season'' is a 2005 American drama film adaptation of the 2000 novel of the same name by Myla Goldberg. The film was directed by Scott McGehee and David Siegel and written by Naomi Foner Gyllenhaal. It stars Richard Gere and Juliette Binoche. ==Plot== Saul Naumann (Gere) is a somewhat controlling Jewish husband and father. A Religious Studies professor at UC Berkeley, Saul wrote his graduate thesis on the Kabbalah. Because he was a devout Jew, his wife Miriam (Binoche) converted to Judaism when they married, and he nurtured his son Aaron (Max Minghella) as a traditional studious Jew like himself. When Eliza (Flora Cross) wins her class spelling bee, they embark on a course of Kabbalah study to help her win. The film follows the family and the spiritual quests upon which they journey, in large part because of Saul: Miriam's attempt to make herself whole, Aaron's religious uncertainty, and Eliza's desire to be closer to her father. Miriam lives a secret life throughout her entire marriage to Saul, trying to fulfill the religious idea she learned from him, ''tikkun olam,'' or "repairing the world" and "reuniting its shards." In momentary flashbacks by Miriam, we glimpse a scene of a crashed car with shattered glass, apparently the basis of an underlying hurt she has been suffering since childhood, perhaps the death of her parents. The beautiful life she had before the accident, symbolized by the kaleidoscope she always carried as a child, through which she was presented with its beautiful view of the world, is suddenly shattered when the accident occurred. Thereafter, seeking to restore the broken shards, Miriam compulsively creates beautiful light gathering objects (sometimes stealing them) and storing them in a secret warehouse. Saul's son, Aaron, grows unsure of the Judaism foisted on him by his father, and in trying to find a faith he personally believes in, he becomes a Hare Krishna after meeting a woman named Chali in the park. For Eliza, her experience begins with a desire to be as close to her father as he and Aaron are; the two would often have discussions about Judaism and play music together. Saul's graduate thesis on Kabbalah writer Abraham Abulafia (who believed that careful analysis of words could lead to contact with God) brings Saul and Eliza closer together when Saul learns Eliza has won the district spelling bee. Upon learning of her success, Saul takes control of Eliza's life, coaching her in the Kabbalistic teachings he knows so well. Eliza enjoys the renewed attention of her father and pursues the competition for her father's involvement. This comes at the expense of Aaron, who receives less time with Saul, even as he falls deeper into religious questioning. At the center of the film, Eliza becomes Saul's newest religious project. Eliza continues to do well at spelling bees, utilizing her spiritual gift, as Abraham Abulafia described: visions appear to her and help her spell words no matter how difficult. Saul's obsession with his daughter's gift and the opportunities it presents to him consume him to the point that he is callously ignorant of the collapse of his family around him — his son's interest in Hinduism, which soon comes between him and his father, and his wife's psychological problems suddenly thrust upon him — it seems that the entire family is now "broken," like a microcosm of the world; but can it be fixed, can the broken shards be restored? This is where Eliza enters the picture, a child with a mystical gift. The night before the final round of the spelling bee, Eliza uses her father's notes on Abulafia's system to obtain "the ear of God," allowing God to flow through her. Her body writhing on the floor, Eliza apparently makes that mystical connection, providing her the healing power of God. In the final scene, Eliza, on the verge of winning the competition, now empowered with the ability to heal her family, deliberately misspells the word origami, thereby losing the competition. Immediately upon her sacrifice, healing apparently takes place between Saul and Aaron as they embrace and openly express loving emotion; and Miriam, watching the competition television from a sanitarium (following the discovery of her secret), is apparently in process of being healed as well. Eliza's character presents us with an example of hope for mankind by opening oneself to a greater power (allowing that power "to flow through you"), thereby affirming the apparent thesis of the story — tikkun olam, repairing the world. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Bee Season (film)」の詳細全文を読む スポンサード リンク
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